While this heightened sense of claustrophobia seeps into the very fabric of the film, accentuated by the vibrant cinematography of deserted, desolate spaces, Arthur manages to triumph over the various dead-ends and red herrings whilst raging against the dying of the light, until the very end. However, despite Arthur’s constant anxiety about things that remain hidden, his findings of the disturbing truth behind a possible murder cover-up emerge to be the truth in the end. When Arthur receives a distressed on-air call from Zoe’s mother (Deborah Chavez), Jimmy urges him to investigate the town of Wander, which emerges as a nexus of conspiracy of a dark, murkier kind. This is supported by the visible concern harbored by Shelley, who blames Jimmy for twisting Arthur’s perception of the world and often egging him on to plunge into potentially dangerous scenarios. Right off the bat, Wander establishes the unreliable nature of Arthur’s reality, as it is made clear that he suffers from intense trauma-induced paranoia and struggles with mental illness. A masterful example of the same is Akira Kurosawa’s Rashômon, wherein a host of characters proffer conflicting accounts of the same event, highlighting the validity of objective truth in the process. The trope of the unreliable narrator, when executed well, lends an aura of doubt and inauthenticity to a story that hinges on dizzying mysteries and suspenseful thrill. Here’s the ending of the film, explained and analyzed via the lens of objective truth and subjective experiences that mostly find their roots in loss and trauma. While hosting a conspiracy podcast together, Arthur and Jimmy stumble upon Zoe’s apparent murder, along with the convoluted mysteries that surround the town of Wander. What follows is a deep dive into the life of Arthur Bretnik (Eckhart), an ex-homicide detective turned private investigator, who seems to be struggling with inconsolable trauma and inner demons of his own.įinding solace in the company of conspiracy theorist Jimmy (Jones) and concerned lawyer friend Shelley ( Heather Graham), Arthur navigates the blurred lines between nightmares and waking reality with constant vigilance. The circumstances around Zoe’s death are baffling, to say the least, as her chest literally explodes once she attempts to flee the confines of the haunting town. Wander opens with the murder of Zoe Guzman (Elizabeth Selby) at the town limits of the quaint desert hamlet, Wander, in New Mexico.
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